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Showing posts from December, 2007

Portrait Tips

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Here are some excellent potrait tips that you will learn when taking a shot. 1. Don't Just Sit There... Static portraits —with the subject just slouched there, or stiffly posed, are not terribly appealing. It generally pays to play director as well as photographer when you're photographing people. Don't just hide behind the camera; interact with your subject. Tell a joke, have a conversation, do something silly, or even tell the subject what to do. The results will be be much more interesting portraits, and the session will be a lot more fun for you and your subject. 2. Use the Right Lens The right lens for a portrait is the one that provides the desired framing at a distance that provides the desired perspective. For a natural-appearing "head shot," this would be a short telephoto (85–135mm range for a 35mm camera), at a distance of around 31/2–5 feet from the subject. Use a wider lens, and you have to move closer to frame a head shot, and moving closer will expa

Nikkor Lense (Normal)

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To capture an angle of view that approximates that of the human eye, Nikon has developed these lenses to provide a 46 ° picture angle, which are useful for landscape and candid shots. AF Nikkor 50mm f/1.8D With the modification of other AF Nikkor lenses from S-type to D-type, the entire AF Nikko r lineup is now comprised of D-type and G-type lenses. This D-type Nikkor lens, like all other Nikkor D- and G-type lenses, relays subject-to-camera distance information to AF Nikon camera bodies. This then makes possible advances like 3D Matrix Metering and 3D Multi-Sensor Balanced Fill-Flash. The lens delivers superior optical performance thanks to the incorporation of hi gh-grade Nikon Super Integrated Coating. AF Nikkor 50mm f/1.4D High-performance standard lens. Distortion-free images with superb resolution and color rendition. An ideal first lens, perfect for full-length portraits, travel photography or any

Nikkor Lense (DX)

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With the significant rise in the popularity of Nikon's digital SLRs, the DX Nikkor lens line-up have been developed to deliver higher optical performance to meet the demands of professional and advanced amateur digital SLR users. AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR (3.0x) new With built-in Silent Wave Motor and Vibration Reduction, this compact, lightweight and affordable 3x zoom NIKKOR lens offers remarkable versatility and covers the essential focal range of 18 to 55mm. When mounted on any DX-format Nikon digital SLR camera, the picture angle is equivalent to that produced by a 27 to 82.5mm focal length lens on a 35mm-format film camera or Nikon FX-format came ra. AF-S DX VR Zoom-Nikkor 55-200mm f/4-5.6G IF-ED The AF-S DX VR Zoom-Nikkor 55-200mm f/4-5.6G IF-ED is a compact and lightweight 3.6x zoom lens featuring a host of state-of-the-art optical technologies such as the Vibration Reduction (VR), Nikon ED glass element

How to Take Great Group Photos

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1. Prepare There is nothing that will make of people posing for a photograph turn upon you faster than you not being prepared. People don’t like to be kept waiting so think ahead about some of the following aspects of your photo: scope out the location of your shot before hand think ahead about how you will pose people and frame your shot one of the group’s head hiding behind another person make sure everyone you want in the shot knows you want them a few minutes ahead of time make your your camera is on and has charged batteries 2. Location The place that you have your group stand is important to group shots for a number of reasons. For starters it can give the photo context - for example a shot of a sporting team on their playing field means more than a shot of them in front of a brick wall. The other reason that choosing locations carefully is important is that it can have distractions in it. Choose a position where your group will fit, where there is enough light for th